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Tuesday, May 31, 2011

How to Knockout Text in Illustrator


Adobe Illustrator is one of the premier vector graphics programs of all time. It is used by professional web, print and fashion designers around the world. The program is capable of almost limitless special effects and stunning designs in the hands of a professional. However, not all of these effects require professional skills or complicated steps. One simplest effects is the use of knockout text in Illustrator. This simple technique can produce some very interesting results.


 

        1

        Launch Adobe Illustrator from the "Start" menu or desktop icon.
        2

        Click on the option to create a new print document or web document according to the intended use of your project.
        3

        Click on the shape tool to select the background you wish to use for your knockout text. A rectangle is a common choice.
        4

        Click on the canvas and drag the shape to the desired size.
        5

        Click on the text tool and click on the background shape.
        6

        Select the font size from the drop-down menu above the canvas.
        7

        Type the desired text.
        8

        Click "Type" and select "Create Outlines" or press "CTRL+SHIFT+O."
        9

        Press "SHIFT" and click on the background shape to select it along with the text and outlines.
        10

        Click "Object," "Compound Path" and select "Make" or press "CTRL+8" to knockout the text.



Monday, May 30, 2011

How to Convert Inventor to 3DS Max

Autodesk has an array of products related to 3D modeling and animation. One of the most widely used is Inventor. It is employed to create CAD designs for machines, parts or other items that might be manufactured. But Inventor itself is not necessarily the best tool use to actually show off a design. The creation of rendered images and animations based on the design is better left to another Autodesk product, 3DS Max. 3DS Max has an array of tools and functions that allow the user to produce a presentation or animation. Fortunately, Autodesk makes it very easy for users to export their Inventor content directly into 3DS Max.

Instructions


    • 1
      Open Inventor. Use the tools of the program to create your model. Select "File" from the menu and choose "Save." In the dialog that appears, name the file, choose the location you want to save to and save it in the standard Inventor format (.IPT or .IAM).
    • 2
      Close Inventor and open 3DS Max. Click on the 3DS Max logo on the upper left corner and choose "Import." From the listed options, choose "Import." The "Import" dialog will appear.
    • 3
      Change the "File of Type" to "Autodesk Inventor." Browse to the location of the file you want to import. Select it and click "Open." The model will appear in the view.
    • 4
      Choose the options that you want in the dialog that appears, such as whether the imported model should use the Inventor textures and the resolution of the mesh. Then click "OK."
    • 5
      Click on the 3DS Max logo again and choose "Save As." From the options, choose "Save As." In the dialog that appears, name the file, choose the location to save to and choose "3DS Max" as the file type. Click "Save."

How to Design a Logo in Adobe Photoshop

  1. Create a Logo

    • 1
      Start Adobe Photoshop. Start a new Photoshop file.
    • 2
      Select the shape tool from the Photoshop toolbox to create shape for the back of your logo.
    • 3
      Add text on top of the logo, using the Type tool from the Photoshop toolbox. You will now have two layers in the Layers palette.
    • 4
      Merge the two layers together by selecting "Merge Visible" from the "Layer" menu. Notice that in your Layer palette you have one layer now, called Background.
    • 5
      Right-click on your Background layer and select "Layer From Background..." Name the layer and click OK on the dialog box. Now your logo is one layer and you can apply an effect to it.

    Bevel and Emboss a Logo

    • 1
      Go to the "Layer" menu and select "Layer Style." And, then choose "Bevel and Emboss..."
    • 2
      Select the style of bevel or emboss you would like and use the rest of the "Structure" settings to get the bevel or emboss exactly how you like it.
    • 3
      Use the "Shading" settings to add shading to your bevel or emboss.
    • 4
      Click on the word "Contour" on the left-hand side of the dialog box, under "Bevel and Emboss."
    • 5
      Change the contour and range to get the look you want for your logo.
    • 6
      Click the word "Texture" on the left-hand side of the dialog box.
    • 7
      Choose a pattern and change the scale and depth to reflect the type and size of pattern that you want to apply to your logo.

Saturday, May 28, 2011

Photoshop create crest logo tutorial in Photoshop

[1]-First of all Open New Document of Custom size, Height & Width 500×400 pixels, Resolution 72 & Mode RGB Color.
photoshop-create-crest-logo-tutorial01
[2]-Now Open New Layer & then create the following shape with the help of ‘Pen Tool’ & press right click > make selection.
photoshop-create-crest-logo-tutorial001
[3]-Now fill the #’dee4f2′ color in selection area.
photoshop-create-crest-logo-tutorial1
[4]-Now select the ‘Brush Tool photoshop-create-crest-logo-tutorial2 & create the following setting a new layer.
photoshop-create-crest-logo-tutorial3
photoshop-create-crest-logo-tutorial4
[5]-Now create the selection at new layer & fill with #’36404a’color.
photoshop-create-crest-logo-tutorial5
[6]-Now go to Blending Options,& use the following settings
Photoshop Technique-How to use the Blending Options feature.
photoshop-create-crest-logo-tutorial6
photoshop-create-crest-logo-tutorial7
photoshop-create-crest-logo-tutorial8
photoshop-create-crest-logo-tutorial9
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photoshop-create-crest-logo-tutorial11
photoshop-create-crest-logo-tutorial12
photoshop-create-crest-logo-tutorial13
photoshop-create-crest-logo-tutorial14
photoshop-create-crest-logo-tutorial15
photoshop-create-crest-logo-tutorial16
[7]-Now create the selection at new layer & fill with #’36404a’color.
photoshop-create-crest-logo-tutorial17
[8]-Now take the ‘Brush Tool’ create the shading as shown above step [4].
photoshop-create-crest-logo-tutorial18
[9]-Now go to Blending Options,select Drop Shadow,Stroke & use the following settings
Photoshop Technique-How to use the Drop Shadow & Stroke feature.
photoshop-create-crest-logo-tutorial19
photoshop-create-crest-logo-tutorial20
photoshop-create-crest-logo-tutorial21
[10]-Now create the selection at new layer & fill with #’36404a’color.
photoshop-create-crest-logo-tutorial22
[11]-Now go to Blending Options,select Bevel & Emboss,Contour & use the following settings
Photoshop Technique-How to use the Bevel & Emboss,Contour feature.
photoshop-create-crest-logo-tutorial23
photoshop-create-crest-logo-tutorial24
photoshop-create-crest-logo-tutorial25
[12]-Now your image should look like as shown below.
photoshop-create-crest-logo-tutorial26
[13]-Now go to the Blending Option & give the following setting of Drop Shadow.
photoshop-create-crest-logo-tutorial27
[14]-Now see below for Final Photoshop Output.I hope this is a good tutorial & U can use these Photoshop Techniques in your Graphics
Design project.
photoshop-create-crest-logo-tutorial29

Dramatic Text on Fire Effect in Photoshop

Part 1— The Background

So create a new document in Photoshop at 1920px wide x 1200px high, and with the Gradient Tool (G), draw in a radial gradient of browns (#5c3d09 to #1f1409) so you get something like what is shown below.
Notice that the gradient is not centered vertically but sits toward the top. In this image we want the top of the text to be on fire, so the top part of the image should be a bit more lit up.

Step 2

As in the grass text tutorial, once again we’re going to have a textured background. But rather than starting from scratch, I just copied the backround from previous tutorials, merged all the layers and desaturated to get what you see below.
If you need to make this from scratch, first visit Bittbox to get the original paper textures and then follow the previous tutorial’s steps.

Step 3

Now we set the layer to Overlay and to blend the texture into the background and voila!

Step 4

Just to add a bit more texture though, let’s run the Texturizer filter. To do this, create a new layer and fill it with a brown/beige color—#66500f. Then go to Filter > Texture > Texturizer and use the Canvas texture with 80% Scaling and Relief set to 4.

Step 5

Once you have your texturized layer, set that to Overlay. This adds some extra fine detail to our texture which is good because we’re working on such a big canvas.

Step 6

Next we’re going to apply a layer to slightly desaturate the bottom half of the image. This is so that the top looks like it has a warmer glow where the flames are, while the bottom looks a little colder.
So create a new layer and fill it with the color #4b4f3b. Then add a layer mask with a gradient to mask out the top and fade down (so you get the effect shown).
Now set the layer to Color and 45% Opacity.

Part 2—Text + Glow = Awesomeness

OK, we now have a nice background! So let’s add some text. I’ve used the font Trajan because it’s a really dramatic looking font. Here I’ve placed the text in the color #cb9328, then set it to Linear Dodge (Add) with an Opacity of 8%.
What we’re going to be doing with our text is making it look like the top half of the text is coming out of the background and is red hot with flames flickering off. This means we’re going to run a lot of effects and apply layer masks to them so that only the top half shows while the bottom half reverts to faded out text like we have currently.

Step 8

So first create a new layer group to put all the text layers in—because there will be a lot of them.
Then duplicate the text layer and set the color of the duplicate text to #5e3f1c.

Step 9

Now set the newest text layer to Overlay and 70% Opacity. It should look kind of reddish (as shown below).

Step 10

Now duplicate the text again and set the latest duplicate to a yellowish color—#cb9328. Then set this to Linear Dodge (Add) and Opacity 30%.
Next we add a layer mask and draw a gradient so the latest text layer fades out as shown below, and beneath you can see the reddish colored combination of the bottom two text layers.


Step 11

Next we duplicate the text layer yet again, but put this layer right on the bottom. Set the color to black—#000000. Then go to Filter > Blur > Gaussian Blur and it will ask you to rasterize the text, click yes to that, and then set the Radius to about 4px.
Then Ctrl-click any of the other text layers and go back to the black layer and hit delete so you are just left with a sort of shadow. Then duplicate this layer and merge it with the first so the effect is heavier. You should have something that looks like the screenshot below.

Step 12

Once again, add a layer mask so the shadow quickly fades out as shown. This makes it look like the text is coming out of the page.

Step 13

Now duplicate our black layer again and using the Smudge Tool (R) and a largish soft brush you want to just smudge the shadow around so it looks like burn marks.

Step 14

Here’s how our text is looking now. I actually created two sets of "burn" marks, and then four sets of the shadow layer each blurred a little more than the last and each faded back.

Step 15

Now it’s time to make the top part of our text glow. So first of all, duplicate the text layer again and place this layer at the very top and set it to a yellow color—#dc9a08.
Then run a Filter > Blur > Gaussian Blur over it with Radius of 8px. Then grab a large soft eraser brush and just erase away parts at the bottom so it’s kind of uneven.

Step 16

Set our first glow layer to Soft Light. You might want to repeat the process, erasing even more so the top part is even glowier.

Step 17

Now duplicate the text layer yet again and place this at the very top. This one should be again the same yellow (#dc9a08).
Then go to Layer > Rasterize > Type and turn the text into a flat graphic. Then Ctrl-click the layer and go to Select > Modify > Contract and use a value of 1px. Then press Delete to delete everything except that 1px outline.

Step 18 Now set the 1px layer to Overlay, and you should have something like the image below.

Step 19

Now to our 1px glow add a layer mask to fade it out down the bottom as we’ve been doing with the other layers.
Then duplicate the layer, and run a Filter > Blur > Gaussian Blur set to 1px. Then duplicate this layer again and blur it by 2px. Then duplicate the layer again and blur it by 4px.
Then Ctrl-click any of the text layers, press Ctrl+Shift+I to inverse the selection and go through each of the glow layers and press Delete to remove any of the blur that has strayed out of the boundary of the text.
The idea is that we want the edges of the text to look red-hot with it fading in to an overall hot glow on the text.

Step 20

Next we duplicate all four of the glow layers and merge them together. This should result in a layer on top which is the original bright yellow.
Grab the Smudge Tool and run over the text, smudging it up to look like heat waves coming off the text, as shown.

Step 21

Now set this latest layer to Overlay and you should have something looking like this!

Step 22

Now we’ve pretty much finished our text. I went through and duplicated some of the glow layers to make it look even more fiery. Feel free to experiment with getting a real red-hot glow look by doing so.

Step 23

Next, in keeping with the last wallpaper, I’ve gone and added a quote underneath my main text. This provides a nice embellishment to the page. Try to use colors that fit in with the background and text layer so it doesn’t stand out too much, because we really want this to be a secondary element to the main text. I’ve used Swiss Light Condensed as my font and laid it out just like in the previous Grass Text tutorial.

Part 3—The Flames

Finally, with all our preparation done, it’s time to add the actual flames! For this, we need some images of fire set against a plain black background. A good photo is hard to find, and try as I did, I couldn’t find a really great free photo. So in the end I used this photo from Fotolia which you can purchase using the link below. There was also an OK photo from Flickr which I’ve also linked to and which I ended up using later for the "E". So you might want to grab that too.
AcheroN—Fotolia.com
Peasap—Flickr.com
Now the technique for copying the flames over is actually really simple. I actually only learned this technique recently when reading one of Nik Ainley‘s tutorials for DigitalArts magazine called Create Amazing Photomontages where he did it with water.
What you need to do is:
  1. Open up the flame image in Photoshop
  2. Go to the Channels tab and find the channel with the highest contrast, which for images of fire should be the Red Channel, and click on it
  3. This will make your image appear black and white, and because we’re on the highest contrast layer, it will seem really bright white. Now Ctrl-click this channel and it will select all the pixels in that channel.
  4. Click back to the RGB channel and copy the selected pixels
  5. You can now paste the flames into your main canvas!
This is actually a really, really useful technique for copying something translucent like fire off a flat background. And as you’ll see by visiting Nik’s tutorial, it’s also great for copying water!

Step 25

OK, so here we’ve pasted the flames on to our main canvas. (For clarity I’ve also temporarily switched off the text layers). As you can see, we’ve got the fire without the black background and it’s partially transparent, which means it’ll look super on top of our text.

Step 26

Now the next thing to do is to cut up our one bit of fire into a few pieces. Just duplicate the layer and switch off one as a backup first. Then using the Pen Tool, cut up the fire so you work with the contours of the flame so it looks natural. Here you can see I’ve produced four pieces of flame from the one image. You can also try flipping bits around to make them seem more random.
Set the layers to Screen mode so that any remaining black parts are totally gone, and it’s even more transparent.

Step 27

Now because my text is just four letters, I need four separate pieces of fire. For the fourth one (on top of the E) I actually grabbed that Flickr photo and repeated the same process as earlier to create another flame. Also the fire on the letter I has been squashed a little as well to make it look more random.

Step 28

Applying the fire is really as easy as moving the flames over the text. You want to try to match the flames to the shape of the letter so it looks like they are dancing off the letters.

Step 29

OK here I’ve placed all four bits of flame over the top. It’s not bad, but you can see that the I and the R have the same flame and also all the flames aren’t very tall.

Step 30

So here I’ve gone through each flame and using the Transform Tool stretched them vertically. Also I used a bit of judicious erasing to make the flame on the I look a little more unique.

Step 31

Now to make them look even more lit up, duplicate each flame layer, run a Filters > Blur > Gaussian Blur with a Radius of 3px and set the layer to 15% Opacity so it provides a bit of glow around the edges of the flames.

Step 32

So we’re pretty much there! This is how the composition looks.

Step 33

Finally we’ll add a last highlight. So create a new layer above all the others and draw in a white to black radial gradient as shown. Set this layer to Overlay and 40% Opacity.

Finished!

And there we have it, a text on fire effect! In the next tutorial in the series, we’ll be producing the Air image, however it’ll be in two weeks, not one—as I’m taking a few days off work!
If you’re interested in creating flames from scratch in Photoshop, you might also like to check out this classic tutorial that coincidentally uses the exact same typeface! It’s a Photoshop 6 tutorial, and I can still remember reading it like a half decade ago, but it’s still very relevant, even if the screenshots feature a super retro Mac interface.